
A seahorse farm in Negombo, Sri Lanka we had the privilege to visit.
A few months ago, I spoke about Tumblr at Virginia Tech’s University Relations annual retreat. I used Yale’s tumblelog as an example. Yale is...
The Children’s Hospital, Chris Adrian (M, 40s, red hoodie, black jacket and jeans, short salt and pepper hair, L train) http://bit.ly/Xp2IP4
When it comes to eating the finest meals, not everyone is a gourmet cook. But just because you cannot...
(via almaswithinalmas)
Yes. Yes. Yes.
(via mehreenkasana)
“… the modern West finds it difficult to coexist with other cultures.”
“…It has to try to either overwhelm or proselytise them.”
“…dissenting westerners, who have genuinely identified with the colonised societies”
“… dissenting westerners, who have genuinely identified with the colonised societies and fought for their cause, … have usually supported the `right’ causes without any empathy with native categories or languages of dissent, …”
That was a gooood quote!
By Mrs. Treathyl FOX, aka CMoneyspinner
(via asianhistory)
Male rites of passage are common in cultures all over the world. Although different in shape and form, a common denominator is often that these rites comprise either pain, danger or the threat of isolation. Among the Shan people of Burma and northern Thailand, this could, however, not be further from the truth.
When boys of the Shan tribe undergo the ritual “Poi Sang Long”, the focus lies on what in the Western world would be described as “feminine values”. They are dressed up in bright colours and adorned with make-up. The aim is to mimic the young Prince Siddhartha before he became Lord Buddha. Even though the purpose of the ritual is to show that the boys are ready to become mature and responsible men, it is loaded with aesthetic values and free from any physical trials. This is what sets it apart from other typical male rituals – and Bamberg’s portraits question the cultural and societal constructs of gendered norms.
The entire series, Flowers, is absolutely stunning. Check out the rest of the series here.
Glad you shared this! I will be re-sharing.
(via asianhistory)
India, Tamil Nadu, Chennai (Madras)
Armlet with Krishna Dancing Triumphantly on the Serpent King, Kaliya, circa 1850-1900This outstanding gold armlet epitomizes a traditional type of ornamental armlet (vanki) worn by Hindu women on their upper arms. The design program consists of various figures, flora and fauna drawn from the rich artistic repertoire of Indian art and culture. The central image on the front depicts the Hindu god Krishna dancing triumphantly on Kaliya, a serpent king who had terrorized the countryside before being vanquished by Krishna and converted to his worship. Krishna and Kaliya are flanked by attendant women waving honorific fly-whisks symbolic of Krishna’s divine status. Additional figures set within the lace-like jungle of floral motifs include a kirtimukha (face of glory) paired with peacocks at the top of the armlet and, along its sides, winged griffins, elephants, tigers, and rearing lions.
(via asianhistory)